ANN PIBAL / BIO – EXHIBITIONS – WRITING – CONTACT – @ANNPIBAL
TEXTS AND INTERVIEWS
Delistraty, Cody. “In New York, Catching a Wave with Ann Pibal,” Blouin ArtInfo, Modern Painters, December 18, 2023
Guthrie, Camille. “Perpetual and Unsettled, an Interview with Ann Pibal”, FENCE MAGAZINE,Spring/Summer 2012, Volume 15 Number 1, 129-136 and front and back covers. ISBN: 978-1-934200-55-1
Pibal, Ann. Modern Surfing, Modern Painting, Wax Magazine, Spring Summer 2012, 74-82. ISSN: 2167-8073
Pibal, Ann. “Braggadocio Burgues Script,” Possible Press: A quarterly of Artists’ Writings, Vol. 2 Issue 3.
Southerland, Amy. “Ann Pibal, and the Books She’s Reading”, The Boston Globe, January 04, 2014.
ESSAYS, ARTICLES AND REVIEWS
Aldridge, Michelle. “New England Artists Finally Get Their Due at the deCordova’s 2012 Biennial”, Gwarlingo, March 14, 2012.
Aram, Olitta. “Art in New York: Ann Pibal,” 20-23 and cover. Contemporary Art Beijing. October, 2005, Beijing, China.
Baron, Reuben M. “Labor Day Hotlist,” ArtCritical, 4 September 2011.
Bonetti, David. “Ann Pibal, John Dilg: Recent Work,” St. Louis Post Dispatch, 27 January 2008.
Chittenden Morgan, Nicholas. “Ann Pibal at Team Gallery”, ArtForum, December 16th, 2018.
Cruickshank-Hagenbuckle, Geoffrey. “Ann Pibal and Rebecca Wolff: As Is/So Is at Triple Canopy”, Montevidayo, 24 April 2012.
Cwynar, Sara. “Is New York Becoming a Surf Town?”, The 6th Floor, The New York Times Magazine, 3 July 2012.
De Jong, Caleb. “Ann Pibal DRMN’ Meulensteen Gallery, “Thoughts That Cure Radically, 13 September 2011
Diehl, Carol. “Use it or Lose it,” ArtVent, 20 September 2011
Diehl, Carol. “Peter Schulte,” Art in America, 01 April, 2013
Doran, Ann. “Collectors of Skies”, Time Out New York, October 15, 2012
Dregni, Nico. “Some Notes on Ann Pibal’s Surf Type Drawings”, 2018.
Edgers, Geoff. “Ann Pibal Awarded deCordova Musuem’s Rappaport Prize”, The Boston Globe, June 21, 2015.
Edgers, Geoff, “Alex Katz at 88: Portrait of the artist Unable to Slow Down”, The Washington Post, July 24, 2015.
Humphrey, David. “Ann Pibal”, Art In America, November 2011.
Johnson, Ken. “Self-Referential Nonobjective,” The New York Times, 8 September 2011.
Johnson Montenegro, Donald. “Ann Pibal”, New. New York, Exhibition catalog, Essl Musuem, 2012.
Kimmelman, Michael. “Youth and the Market: Love at First Sight,” The New York Times, 18 March 2005.
Indrisek, Scott. “Reviews in Brief, Ann Pibal”, Modern Painters, December 2011
McQuaid, Cate. “Ann Pibal”, The Boston Globe, 16 April 2013.
Mattera, Joanne. “On the Geometric Trail: Part Five,” Joanne Mattera Art Blog 2008.
Mattera, Joanne “Geometry: Old School, New School,” Joanne Mattera Art Blog, 03 November 2011.
Min, Susette. “Playing at Abstraction”, Drawing Papers 33, The Drawing Center, October 2002.
Review of “An Ongoing Low-Grade Mystery,” The New Yorker, 5 June 2006.
Penn, Asher. “Paging: Bob Nickas on Abstraction”, Art in America, November 03, 2009.
Naves, Mario. “Lemons Make Lemonade at PS1,” The New York Observer, 29 April 2005.
Nickas, Bob. “Ann Pibal”, Painting Abstraction: New Elements in Abstract Painting. pages 146-149. Phaidon Publishing, 2009.
Pietropaolo, Francesca. “Ann Pibal”, Greater New York 2005, exhibition catalogue MoMA, PS1, pages 280-281.
Pyper, John. “TheDeCordova Biennial.” Dailyserving, February 16, 2012
Rhoads, David. “Like a Sequence of Thoughts: Ann Pibal at Lucien Terras”, Art Critical, January 13, 2016
Riley, Jennifer. “Spanning the Geometric Spectrum,” The New York Sun, 16 May 2008.
Ross Goodman, Abigail. “Ann Pibal”, Decordova Biennial 2012, exhibition catalog, pages 34, 78.
Schultz, Charles. “Ann Pibal and Siah Armajani,” The Brooklyn Rail, October 2011.
Schwabsky, Barry. “Ann Pibal,” ArtFourm, November 2011.
Shaw, Lytle. “Ann Pibal”, Drawing Papers 33: Abstract Tendencies, exhibition catalogue. New York: The Drawing Center, 2002.
Shaw, Lytle. “Painting’s Elastic Context”. The Arkin Bulletin. Vol.3, No.3, 2006, 57-62.
Sholis, Brian. “Ann Pibal,” ArtForum, June 2010.
Smee, Sebastian. “2012 deCordova Biennial features true good works amid fasle steps.” The Boston Globe, January 27, 2012
Smith, Roberta. “Ann Pibal, DRMN’,” The New York Times, 22 September 2011.
Smith, Roberta . “Like Watching Paint Thrive”, The New York Times, 28 June 2012.
Smith, Roberta. “Ryan Nord Kitchen: Small Abstracts, Big Impact”, The New York Times, 28 April 2016.
Stockwell, Craig. “Like Swimming in the Ocean at Night”, Studio Visit with Ann Pibal” Art New England, January February 2013
Storr, Robert. “Ann Pibal, DRMN'”, exhibition catalog, “Dense Pack”, pages 4-7. Meulensteen Gallery. 2011
Stryker, Mark. “U-M Museum Showcases Two Generations of Women Minimalists,” The Detroit Free Press, January 4, 2015.
Thorpe, David. Abstraction, Extracting From the World, exhibition catalog essay, “Ann Pibal”, pages 27-28.
Viera, Lauren. “Gerold Miller/Ann Pibal at the Suburban,” The Chicago Tribune, 9 April 2010
PUBLICATIONS
50 Paintings. Catalog published on the occasion of the exhibition 50 Paintings,
Milwaukee Art Museum, Milwaukee, WI, November 17, 2023 – June 19, 2024.
Curated by Michelle Grabner and Margaret Andera. Essays by Byron Kim, Michelle Grabner, Barry Schwabsky, Molly Zuckderman-Hartung. Interviews with artists by Michelle Grabner. Published by IDP. ISBN:978-1-64657-037-9
Yesterworld. Nickas, Bob. “The daily writing diary Bob Nickas kept in 2019: 366 entries from our last “normal” year, though who knew we were living in the world as it was?” Karma Publications, New York, NY, 2022. 592 pages, ISBN:978-19491727-7-5.
En Kort Historie om Abstracktion_A Short History of Abstraction. Published on the occasion of the exhibition: En Kort Historie om Abstracktion_A Short History of Abstraction, May 5 – September 2, 2018, Rønnebæksholm Museum, Cophenhagen, Denmark, curated by Julie Sass and Anna Vestergaard Jørgensen. Essays and Interviews by Julie Sass, Rebecca Vestervang Chong, Dina Vester Feilberg, Daniela Ferretti, Davide Daninos and Erika Hoffmann. Rønnebæksholm Press, 2018. ISBN: 978-87-999928-2-9.
Reductive Minimalism: Women Artists in Dialogue, 1960-2014, published on the occasion of the exhibition Reductive Minimalism: Women Artists in Dialogue, 1960-2014, October 4, 2014 – January 25, 2015,The University of Michigan Museum of Art, curated by Erica Barrish. Text by Erica Barrish. Published by UMMA Books, 60 pages, 2014, ISBN: 978-1-930561-18-2
NOW-ISM: Abstraction Today. Published on the occasion of the exhibition, NOW-ISM: Abstraction Today, September 06, 2014- June 20, 2015, The Pizutti Collection and the Columbus Museum of Art, curated by Rebecca Ibel. Texts by Rebecca Ibel, David Pagel, Greer Pagano. Published by the Pizutti Collection with support from the Greater Columbus Arts Council. 2014, ISBN: 978-0-9904866-0-2.
Foundations of Design. Davis, Jeff. First edition published by Wadsworth. Cengage Learning, Boston, MA 2013, Second Edition Published by Tempe Digital, Tempe, AZ 2016, 150 pages, ISBN: 978-0-98616373-9
Decordova Biennial 2012. Catalog published on the occasion of the exhibition. deCordova Sculpture Park and Museum, Lincoln, Massachusetts. Essays by Dina Deitsch, Abigail Ross Goodman, Gavin Kroeber. 2011, ISBN: 0945506678.
Why Did the Chicken Cross the Road? Original Jokes About the Suburban and the Poor Farm by the Artists Who Have Exhibited There. ” An exhibition catalog to a project at Yale School of Art in Fall 2012.” The Poor Farm Press. Manawa, WI. 2012. ISBN: 978-1-4675-2535-0
Signal Processing on Databases, Lecture 1: Using Associative Arrays. Kepner, Jeremy. Published by Lincoln Laboratory, Massachussets Institute of Technology, MIT Open Courseware, Boston, MA, 2012.
Collectors of Skies. Catalog published on the occasion of the exhibition: Collectors of Skies, Andrew Edlin Gallery, New York, NY, curated by Valérie Rousseau and Barbara Safarova. Essays by Valérie Rousseau and Barbara Safarova. Published by Andrew Edlin Gallery, 56 pages, 2012, ISBN: 978-0-9778783-8-3.
New. New York. Published on the occasion of the exhibition, Essl Museum Kunst Der Gegenwart, Edition Samlung Essl. Curated by John Silvas. Essay by Donald Johnson Montenegro, Ann Pibal. 2012, ISBN 9783902001-69-6.
DRMN’. Catalog published on the occasion of the exhibition, Ann Pibal: DRMN’, Mulensteen Gallery, dates 2011, New York New York. Essay by Robert Storr. exhibition catalogue. New York: Meulensteen Gallery. 2011 Pages, ISBN: 978-09837627-2-0
The Jewel Thief. Catalog published on the occasion of the exhibition: The Jewel Theif.The Francis Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, curated by Ian Berry and Jessica Stockholder. “The Jewel Thief explores ways to think about and experience abstract art. Using divergent forms of display, the exhibition focuses attention on art’s intersection with the decorative and functional elements of architecture. Artwork is presented through the lens of several opposing yet fluid categories that exist in our everyday lives, such as private and public, intimate and spectacular, and hot and cold.” Editors Ian Berry and Jessica Stockholder, Barry Schwabsky, Steven Henry Madoff. Published by the Francis Young Tang Teaching Museum and Art Gallery. Museum, 2011, ISBN: 978-0-98214866-8-6.
Painting as Fact, Fact as Fiction. Catalog published on the occasion of the exhibition: Painting as Fact, Fact as Fiction, September 2011, de Pury and Luxembourg, Zurich, Switzerland, Curated by Robert Nickas. Text by Robert Nickas, Published by dePury and Luxembourg, Zurich, 50 pages.
Painting Abstraction: New Elements in Abstract Painting. Nickas, Robert. “The definitive survey of contemporary abstract painting, featuring eighty of the most innovative painters from around the world.” Phaidon Publishing, London, 2009, 352 pages, 250 illustrations. ISBN: 978-07148671-68.
Hannah, V.2. A Book of Collaborations Between Poets and Painters. Moller, Andrew. “hannah (han’na) n. 1. A book of collaborations between painters and poets.” September 18th, 2011, 41 pages. ISBN 978-125-79317-0-5
Abstraction, Extracting From the World. Catalog published on the occasion of the exhibition: Abstraction, Extracting from the World curated by David Thorp.. The Millennium Galleries and Museums Trust, text by David Thorp. 2007, ISBN: 978-0-9546913-6-3.
The Kean Review. Issue Two, Fall Winter, 2007. “Ann Pibal“, contributor: page 2, pages 78-87.
Greater New York. Exhibition catalogue published in conjunction with the exhibition: Greater New York 2005, PS1 MoMA, curated by P.S.1 Director Alanna Heiss, MoMA Director Glenn Lowry, MoMA-P.S.1 joint curator Klaus Biesenbach, P.S.1 Curatorial Advisor Robert Nickas, P.S.1 Curator Amy Smith-Stewart, and Ann Temkin, Curator, Department of Painting and Sculpture, The Museum of Modern Art. Texts by Josh Altman, Dalia Azim, Kaus Biesenbach, Fereshteh Daftari, Claire Gilman, Alanna Heiss, Larry Kardish, Sarah Kessler, Sarah Lewis, Brett Littman, Glenn Lowry, Roxana Marcoci, Sarah Hermanson Mister, Bob Nickas, Francesca Pietropaolo, Joachim Pissarro, Eva respond, Amy Smith-Stewart, Irene Shum, Sarah Suzuki, Lumi Tan, Lilian Tone, Gretchen Wagner, Michelle Yun. Published by MoMA PS1, Museum of Modern Art, New York, NY, 2005. ISBN: 087070987-9.
Drawing Papers 33. Catalog published on the occasion of the exhibition: Abstract Tendencies, Selections 33. “Abstract Tendencies: Selections Fall 2002 was characterized by arrangements of shapes and colors suggesting a tendency toward formal abstraction shared by each artist. The selected artists either re-examined concepts and philosophies of abstraction or presented unabashed representations of the real and everyday. The accompanying publication features works and artist statements by the nine emerging artists selected through The Drawing Center’s Viewing Program: Joachim Bandau, Peter Dudek, William Duty, Nils Gjerdevic, Karl Jensen, Kathleen McShane, Ann Pibal, Suzanne Song, and Caroline Van Damme.” The Drawing Center, New York, New York. Essays by Suzette Min, “Playing At Abstraction,” and Lytle Shaw “Ann Pibal”: New York: , 2002.